The Replacements: Pleased To Meet Me ‎ (Box, Dlx + CD, Album, RE, RM + 2xCD + LP) Sire, Rhino Records (2) ... Add Review. Elvis Costello Armed Forces box art The Replacements: "Pleased to Meet Me." THIS IS THE PRODUCT PAGE BOX TEMPLATE. Hearing these roughs is a good lesson in how you just know certain tracks need something else to get them to the finish line—see especially "Alex Chilton" (not yet raucous enough) and "The Ledge" (needs that last iota of drama) for further evidence of so-closeness. But now, I get to revisit Pleased anew, as the Rhino family have undertaken a finely detailed refresh of The Replacements catalog, having started in September 2019 by revamping, remixing, and greatly adding to February 1989's Don't Tell a Soul by way of a 3CD/1LP deluxe box set redubbed as Dead Man's Pop. The Replacements. The 'Mats subsequently embrace smoky jazz tones on "Nightclub Jitters," tackle the perils of suicidal thoughts on the turgid "The Ledge," accept the semi-deflated resignation of "Never Mind" (perhaps foreshadowing a Nirvana album title/mantra to come four years later, methinks), bask in the sunny acoustic majesty of "Skyway" (buttressed by Mars' foot taps and East Memphis Slim's sleek vibes playing), and then close out the proceedings via the plaintively hopeful wrap-up of "Can't Hardly Wait" (with a fine blend of Memphis Horns accents and strings by Max Huls to carry it all home). The making of Pleased To Meet Me was a transformative journey for The Replacements, one that began with the combustible Minneapolis combo on the brink of collapse and culminated in one of the definitive albums of the band’s career. Universal acclaim The making of Pleased To Meet Me was a transformative journey for The Replacements, one that began with the combustible Minneapolis combo on the brink of collapse and culminated in one of the definitive albums of the band’s career. This album was to be more glory and less ragged. The remaining, Bob-less demos are more like what Pleased would ultimately become. [Nov 2020, p.52]. In those heady, early digital-disc days, CDs would be released a few weeks (or more) after their LP counterparts—and were packaged in those pesky longboxes, no less. The Replacements, “Pleased to Meet Me” deluxe Nov 29, 2020 Nov 29, 2020 Updated Dec 2, 2020; Facebook ... Their second box set in as many … Following last year’s widely acclaimed Dead Man’s Pop release, Pleased To Meet Me will be receiving a similar ‘deep dive’ treatment with a 3-CD/1-LP deluxe boxed set, which will tell the story of the album in ways not previously possible with more than 50% of the content previously unreleased. That cassette subsequently served me quite well on a number of my own travels hither and yon before I was able to find both albums on a 1987 import two-fer CD via Big Beat Records (each have long since been upgraded individually)—but I digress. 'Mats fans have their favorite eras of the band—hardcores lean more toward their initial Twin Tone label lower-fi punk aesthetic (like June 1982's Stink EP), some prefer the mid-transitionary period (a la their September 1985 major-label debut on Sire, Tim), and others, like me, find their sweet spot with April 1987's Pleased to Meet Me. When compared to the rest of the band's output, "Pleased to Meet Me" is somewhat disappointing. Audio Formats: 16-bit/44.1kHz PCM Stereo (CD); 180-gram vinyl (LP) One might quibble and not include every track on this compilation, but old fans will find many diversions here. The Replacements’ fifth album, Pleased to Meet Me, is being reissued in the form a box set.The Please to Meet Me reissue is the band’s follow-up to the Don’t Tell A Soul box set (titled Dead Man’s Pop) that was released last year.. Number of Tracks: 68 (55 on 3 CDs, 13 on 1 LP) The best "new" material here are the 15 demos, 11 of which were previously unreleased, that were recorded at Blackberry Way Studios in Minneapolis during the summer of 1986. Recording as a trio—erstwhile 'Mats lead guitarist Bob Stinson left the band early on during the album's initial 1986 recording sessions—guitarist/vocalist/lyricist Paul Westerberg, bassist Tommy Stinson, and drummer Chris Mars soldiered on like the ragamuffins they were, building an album for the ages in the process. The most interesting stuff here is in the Blackberry Way Demos, some of which came out on a previous expanded edition of the album. Length: 3:34:33 (2:50:58 on 3 CDs, 43:35 on 1 LP) The Replacements’ Pleased to Meet Me deluxe edition comprises 55 tracks, 29 of which are previously unreleased demos, outtakes, and rarities.“The music is presented in a … THIS IS THE PRODUCT PAGE BOX TEMPLATE. Whether you need all the extras, most of which are solid and worth hearing, depends on how attached you are to the contents and band. "I never travel far / without a little Big Star," Westerberg determinedly oohs from 1:40 to 1:48 in "Chilton" before taking a brief, careening guitar solo—and it's a couplet that continues to resonate with me to this very day. The 'Mats (as they were colloquially known) had a long-entrenched reputation for falling apart onstage—more often than not, the band chose to wear it as a badge of honor—and they didn't disappoint as both spectacle and specimen that night. In fact, the first line Westerberg sings in the held-back snarler "Even If It's Cheap" was earmarked as the name of the album it was trimmed from, but that's how it goes in Demoland sometimes. The making of Pleased To Meet Me was a transformative journey for The Replacements, one that began with the combustible Minneapolis combo on the brink of collapse and culminated in one of the definitive albums of the band’s career. Considering the level of love and care the Rhino family have given to both Dead Man's Popand Pleased to Meet Me, I can't hardly wait to see what they and The 'Mats will release in box set form next. Following "Chilton," Pleased carries on in full breakneck breakdown fashion, with its unabashed M.O. While some continue to champion the Replacements' Don't Tell a Soul and All Shook Down exit albums, Pleased to Meet Me truly represents the last vital effort of a great band beginning its descent. That transformation is chronicled in-depth on the group’s latest boxed set, PLEASED TO MEET ME (DELUXE EDITION). View credits, reviews, tracks and shop for the 2020 Box Set release of Pleased To Meet Me on Discogs. That's what I was thinking to myself as I watched these four Minneapolis-bred indie-rock stalwarts attempt to play through their rag-tag set while opening for Tom Petty and The Heartbreakers on August 19, 1989, at the Brendan Byrne Arena in East Rutherford, New Jersey. Few bands pulled off the "ragged glory" thing as well as The Replacements. Net result—I spent a good amount of time spinning Pleased on my turntable before I even had the chance to listen to it digitally. It remains a great, perhaps the greatest, example of The Replacements’ studio output. I'm beyond, well, pleased that Pleased to Meet Me—whose empty-suit-meets-upstart-artist handshake album cover design also boasts a sly nod to the typeface and color scheme of the cover adorning Elvis Presley's October 1960 soundtrack for G.I. The paradox couldn’t be starker. Point of fact, Pleased to Meet Me also has the unique distinction of being the last new album I bought on vinyl in the spring of 1987 before switching over almost exclusively to CDs a month later (though, of course, I returned to purchasing vinyl again before the decade was out). [Nov 2020, p.95]. As it turns out, this was the last time they could still shoot for the stars and seem like their scrappy selves and, in many ways, it was the last true Replacements album. Tom Petty fans who didn't know what to make of The 'Mats were amused at best, but when the lads did get their sh-- together in spite of themselves, they proved why they were anointed early on as one of the great American alternative rock hopes of the mid/late-1980s and early-1990s. (Chilton himself happened to turn in some tasty guitar fills on the core album's final track, "Can't Hardly Wait"—more on that one in a bit.) ... Now Available: The Replacements, PLEASED TO MEET ME. Now fans old and new are making the most of the opportunity to see this celebrated rock outfit live performing classic material from albums including 'Don't Tell a Soul' and 'Pleased to Meet Me'. of having "One foot in the door / The other foot in the gutter," as Westerberg outlines early on in the Stonesy call-and-response shrug-off of "I Don't Know" (also be sure to dig those continually tasty baritone sax stabs courtesy Teenage Steve Douglas). While all of the tracks are good they aren't all great, as "Let It Be" and "Tim" were. 1: The Early Years 1963-1967 [Box Set], Music title data, credits, and images provided by, Movie title data, credits, and poster art provided by. In a retrospective review, Stephen Thomas Erlewine of AllMusic felt that Pleased to Meet Me "was the last time [The Replacements] could still shoot for the stars and seem like their scrappy selves and, in many ways, it was the last true Replacements album". And, yes, "attempt" is the exact right word for it. This album was so great it should have pleased both sides, but as we all know the music business is one cruel "B". Producers: Bob Mehr, Jason Jones (box set); Jim Dickinson (original album) Every Replacements record is extraordinary in its way, but none exemplifies their garbage-to-grandeur alchemy like Pleased To Meet Me, which rocks like early Kinks, swaggers like T. … This Weekend: Record Store Day – Drop #2. It remains a great, perhaps the greatest, example of The Replacements’ studio output. It is arguably, the Replacements album that best balances the tension between the snotty punk rockers they began as, and the crossover success they were terrified of becoming ... [The included demos and mixes] will find favour with adherents of the rougher, readier Replacements, who around now were struggling with whether or not to blossom into something bigger. I would like to know if the newly remastered sound adds another important element? Meanwhile, Disc 3 first presents a baker's dozen of unreleased rough mixes that also appear on this collection's single 180-gram LP. More than half of the music (29 of the 55 tracks) on this Deluxe Edition set has never been released, including demos, rough mixes, and outtakes as well as Bob Stinson’s last recordings with The Replacements from 1986. That transformation is chronicled in-depth on the group’s latest boxed set, PLEASED TO MEET ME (DELUXE EDITION). Even the collection’s rough mixes — usually the most over larded part of a box set — offer new insights. The Replacements have announced a new deluxe box set of their acclaimed fifth studio album, Pleased to Meet Me.Due out October 9th from Rhino, … Label: Sire/Rhino Late last year, the Replacements released Dead Man's Pop, a box set featuring a remix of their 1989 album Don't Tell A Soul plus various rarities and … II (1972-1976) [Box Set], Idiot Prayer: Nick Cave Alone at Alexandra Palace, Joni Mitchell Archives, Vol. based on CD/LP ALL RIGHTS RESERVED. Label: Sire - R2 643412 / 60349784647,Rhino Records (2) - R2 643412 / 60349784647 • Format: Box Set Deluxe Edition CD Album, Reissue, Remastered 2x, CD Vinyl LP • Country: USA & Europe • Genre: Rock • Style: Garage Rock, Alternative Rock Minnesota rockers The Replacements delighted fans in 2012 with news of their reformation after over ten years away from the live circuit. ... And covers songs such as Billy Swan's "I Can Help" and B-sides like "Election Day" have merit. The Replacements, ‘Pleased to Meet Me’ (Rhino) One of rock’s most underappreciated band’s has given its most underappreciated album the box … Notable Video Game Releases: New and Upcoming, Neil Young Archives Vol. As of October 9, Pleased to Meet Me gets its own deluxe treatment via a 3CD/1LP box set that includes B-sides, outtakes, and band demos galore—55 different tracks but 68 all told, given that 13 of them are replicated on the lone LP. The Replacements have announced a deluxe edition of their acclaimed 1987 album Please to Meet Me.Due on October 9th from Rhino, the upcoming set features 29 unreleased tracks, including demos, rough mixes, and the band’s final recording sessions with late guitarist Bob Stinson, spread over three CDs and an LP. All Shook Down. Following the mix of B-sides, tattered covers, and, frankly, a less-than-thrilling remix of "Can't Hardly Wait" as done by Jimmy Iovine to end Disc 1, it's time for even more bonus material. [On the heels of Dead Man's Pop, the 2019 overhaul of Don't Tell a Soul, Pleased to Meet Me received a three-CD/one-LP box set in 2020. Every Replacements record is extraordinary in its way, but none exemplifies their garbage-to-grandeur alchemy like Pleased To Meet Me, which rocks like early Kinks, swaggers like T. Rex, and pays tribute to their spiritual godfather Alex Chilton. The Replacements’ fifth album, Pleased to Meet Me, is being reissued in the form a box set.The Please to Meet Me reissue is the band’s follow-up to the Don’t Tell A Soul box set (titled Dead Man’s Pop) that was released last year.. Then again, the Replacements don't make sense as a success story, so the failure of the gleaming, glistening Pleased to Meet Me winds up making its polish kind of heart-rending. Engineers: Justin Perkins (box set remastering); John Hampton, Joe Hardy (original recording and mixing). Polished Tension Made This One A Keeper To Revisit. Blues—made the box set grade. Disc 3 rounds things out with ten outtakes and other alternate tracks, including Westerberg's unreleased dreamy reflection "Learn How to Fail" and Tommy Stinson's jangly "Trouble on the Way.". The Replacements’ Pleased To Meet Me gets the box set treatment this fall when Rhino Records releases a 3CD/1LP edition of the band’s fifth album stuffed with 29 previously unreleased demos, rough mixes and outtakes — including Bob Stinson’s final recordings with the ‘Mats. These are all smart packaging choices that reflect the depth and amount of what's found inside the collection at hand. Dead Man's Pop. (I'm still not quite sure why the core Pleased album didn't appear on 180g wax here as well.) No user score yet- Awaiting 3 more ratings, All Creatures Great and Small (2021): Season 1, Greenfields: The Gibb Brothers Songbook, Vol. I think Mike's observations bare this out in a to the point way. Critic Reviews 1. That transformation is chronicled in-depth on the group’s latest 3-CD / 1-LP boxed set, PLEASED TO MEET ME (DELUXE EDITION). Blues—made the box set grade. All Shook Down Some More, anyone? The first seven demos feature the original four-piece 'Mats lineup with aforementioned guitarist Bob Stinson still in tow, and these almost-there near-misses aurally explain why he and the band had to part ways before the recording of Pleased truly got underway. Though it only takes about a millisecond and a half to call up the entire Big Star catalog via just about any streaming service of choice nowadays, it wasn't all that easy to actually travel with Big Star music back in the day. - As it turns out, this was the last time they could still shoot for the stars and seem like their scrappy selves and, in many ways, it was the last true Replacements album. On the heels of last year’s revelatory Dead Man’s Pop set exploring the making of Don’t Tell a Soul, Rhino has announced a new box set from The Replacements celebrating another of the Minneapolis band’s finest albums. Honestly, it's downright refreshing to re-engage with the 33-minute core album produced by Memphis maestro Jim Dickinson on Disc 1, which is supplemented with six gnarly 'n' snarly bonus tracks. This exhaustive reissue includes his [Bob Stinson] final contributions, though the real gold comes in their studio sessions with Jim Dickinson. As I've said before, albums like Pleased to Meet Me are the kinds of historical releases that deserve such proper deluxe treatment, and Rhino have taken to addressing the content-presentation game accordingly by going with the 12x12 hardcover book form for artists like The 'Mats and The Doors while going deeper, both literally and figuratively, with mondo-block size box sets for the likes of Prince and Led Zeppelin. I think Mike hit on quite a number of pertinent facts here that define this particular period of the band attempting to reach while still holding on to their own central core. Whether you need all the extras, most of which are solid and worth hearing, depends on how attached you are to the contents and band. THIS IS THE VIEW FIELD ARTICLE IMAGES TEMPLATE. © 2021 METACRITIC, A RED VENTURES COMPANY. The remaster of the Minneapolis rock band's 1987 album includes previously unreleased demos (some of which are the last with Bob Stinson), rough mixes, and outtakes. What's this? It also comes with a 12" x 12" hardcover book with rare photos and new notes by Bob Mehr, author of Trouble Boys: The True Story of the Replacements. The Replacements’ fifth album, Pleased to Meet Me, is being reissued in the form a box set.The Please to Meet Me reissue is the band’s follow-up to the Don’t Tell A Soul box set (titled Dead Man’s Pop) that was released last year.. Full-band demos rule the roost on Disc 2, eleven of them previously unreleased. But, as we know it was the fantastic combination of both that defined The Mats. The Replacements | Pleased to Meet Me-Deluxe Edition | (Rhino/Sire) 4 out of 5 stars. That transformation is chronicled in-depth on the group’s latest boxed set, PLEASED TO MEET ME (DELUXE EDITION). I'm beyond, well, pleased that Pleased to Meet Me—whose empty-suit-meets-upstart-artist handshake album cover design also boasts a sly nod to the typeface and color scheme of the cover adorning Elvis Presley's October 1960 soundtrack for G.I. Track 2, "Alex Chilton," is probably the best-known cut on Pleased, and it holds up as a loving ode to the namechecked Memphis power-pop icon who passed away in 2010. Pleased to Meet Me … Now the fabulous “Pleased To Meet Me” gets the box set treatment with the original album supplemented by dozens of B-sides, outtakes, demos … For most bands, these demos would be just-good-enough budding song nuggets to build upon, but The 'Mats were clearly on a different trajectory. The first album released after founding lead guitarist Bob Stinson's official departure, Pleased nevertheless retains plenty of the Mats' innate punky drive, albeit here more focused and tempered. 6 "Chilton" is a fitting earwig confection of the highest order, with a cool echo/delay on Westerberg's lead vocal, well-placed handclaps, not-too-subtle cowbell on the choruses, and even a keen Spanish guitar accent close to the song's end. 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